My published books include Swimming Middle River and White Knight Escort Service. Additionally, my third short story collection, Catawampus in Sweetgum County, is scheduled for publication in spring 2022. I was nominated for a Pushcart Prize and over 75 of my stories have appeared in literary journals. My stories explore journeys toward autonomy and the boundaries placed on the individual by society, family, and self.
Accolades and Awards
- Pushcart Prize nominee for The Family Blend
- Gold Writer Award for Spooning
- Best of the Net 2020 nominee for Bi-Trekkie
- Short list in the Strands International Flash Fiction
Competition for The Well-Heeled Woman
I am also an adjunct lecturer in English as well Communications and Media departments at the University of Missouri – St. Louis. This is where I earned my B.A. in English and my M.F.A. in Creative Writing.
What Others Have to Say:
“In this issue, we feel the wound of Leah Holbrook Sackett’s What Doesn’t Fall Apart Gets Broken, a thought-piece on souls.” – Gregory Glanz of MacroMicroCosm
“The story, What The Looking Glass Reflects, is soul chilling and marvelous. I would publish it twice if I could.” – Vivienne McLemore of Zany Zygote Review.
“In her captivating vignette, “Spooning,” author Leah Holbrook Sackett lets her reader in on a life gone wrong and the main character lost on a journey to make sense of it all. The inspiration for this piece developed following Leah’s discovery in her own kitchen of a rogue spoon. The spoon was mismatched to any set, yet was a favourite among the utensils stashed in the drawer. This facet becomes a key hinge of the story she tells and raised intriguing questions in itself to the things that we cherish in life.” – Art Ascent
The Array Of Humanity
“This collection of short stories is an amazing showcase of humanity. It brings together vastly differing experiences from equally differing persons. I’m sure many readers will find themselves relating to these very real characters and even for the ones who don’t, the stories remain intriguing and thought-provoking of what our fellow humans may be going through. I easily fell in love with every character and empathized with their struggle.
What I initially disliked, but soon adored was that the stories were only a glimpse. The author picked very specific instances from the characters’ lives to share, leaving you knowing there was so much more to be learned (and trust me, you’ll want to learn it). What was the aftermath? Where did their journey lead the next day, the next year? What were the long-term effects of this incident?
However, it’s abundantly clear that this writing style is exactly what made the collection so great. It really drove home the message of understanding and compassion by showing just how incredibly diverse human plights and personalities are. If this handful of small events was this detailed, yet superbly varied from each other, imagine just the infiniteness and intricacy of entire existences of every person on Earth.
With that in mind, I do think the author could take any one of these shorts and create an entire book about the character’s world. Not just because they were a single experience, but because they are individually interesting enough and because the author is ultimately capable of such immersive expansion as evidenced by the pure amount of heart put into each story.” – Review on Barnes and Noble
“…soul chilling and marvelous. I would publish it twice if I could.” Vivienne McLemore, Editor Zany Zygote Review [‘What the Mirror Reflects”]
“…Fresh and Original.” Kerri Farrell Foley, Editor
Crack the Spine [“The Family Blend”]
“Wow – Leah Sackett’s The Family Blend is a masterful journey of haunted memory and hard hitting truth. I love the way she blended the light and darkness and brought both together in the ending. Would love to see more by this author!” – Jenni Venker Weidenbenner Crack the Spine [“The Family Blend”]
“…Sincere and Hopeful” Editors at AEthor and Ichor [“Raising St. Elisabeth”]
“Leah Sackett takes us into the close minded, judging world that surrounds and strangles whatever life is left of the narrator, Kitty, in her despondent, realistic tale, “A Point of Departure.” There seems to be no escape.” Meg Tuite, Fiction Editor Connotation Press [“A Point of Departure”]
“…how much I truly loved this story, and we’re very excited to be working with you, and presenting this piece. It’s not often I come across a refreshing read like this, let alone something I connect with so fluidly. ” Thomas John Nudi, Editor
Blacktop Passages [“Somebody Else in Kentucky”]
“…excellent – great characters and dialogue!” C.E. Lukather, Edtior
The Writing Disorder [“Man in Black”]
“The skill in the writing takes us one way and then the other. The humour is dark and it compliments the subject matter. When this type of story is done well, like yours, the reader should feel a bit uncomfortable especially if they find the humour amusing. It is fun to make a reader uncomfortable!
I am very interested to see what else you have for us.”
– Hugh Literally Stories [I “Love” Burt]
” I think you achieve a delicate balance between dark humour and the more serious topic of depression.” – Neil Grey Banks Literally Stories [I “Love” Burt]
“Love your story!! I burst out laughing at the end!” – Catherine Atkins Greenspan Two Sisters Writing & Publishing [Sticker Shock]